Madeline Joey Rose is an actor, writer, and musician currently living and working in New York City. 

Photos by Gonnie Zur

Photos by Gonnie Zur

She can be seen next in Aziza Barnes’ BLKS at Woolly Mammoth Theatre Company, directed by Nataki Garrett. Madeline is a drummer and vocalist in the punk band Ultra Beauty (S/T EP out now on Sister Polygon Records) and is the playwright/performer of MOM BABY GOD, an immersive dark comedy about teenage sexuality in the Christian Right. An earlier version of the show (dir. Emma Weinstein) toured nationally and was the subject of a right-wing smear campaign. Madeline re-developed the show in March 2018 at Taffety Punk Theatre Company, directed by Lise Bruneau. The production enjoyed a sold-out run, was among The Washington Post’s “Best of Theatre 2018” and was made critic's pick at The Washington City Paper and The Washington Post.

Passionate about new play development, Madeline originated the role of Clementine in the sold-out world premiere of Tearrance Arvelle Chisholm's Hooded, Or Being Black for Dummies (Mosaic Theater Company), originated the role of Leah in the world premiere of Lindsay Joelle’s Trayf (Theater J-Associate Artist 2017-2018), and has workshopped new plays extensively at The Kennedy Center.

Obsessed with telling stories from a young age, Madeline spent her childhood building fairy houses and developing a legitimate addiction to the Sims. She holds a B.A. in Theatre, American Studies, and Women/Gender/Sexuality Studies from Hampshire College and is a proud member of Actors’ Equity Association.

Contact: madeline.joey.rose@gmail.com